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This granary shutter is carved of two crocodiles (ayo). These
animals symbolized at the same time the fertilizing water of grounds
and defended against robbers. The crocodile represents the animal
that once belonged to the ancestor binu serou (the water
element). This shutter was used by the totemic priest of the
binu cult for sealing his granary. The close association of
such shutter with vital food supplies harvested from binu
fields means that it also symbolizes binu serou himself. The
binu cult links the living to those early ancestors who are
immortal.
This shutter was placed midway up the granary wall. It provided
access, throughout the year following harvests, to the goods stored
inside (millet, sorghum, rice, corn). The Dogon granaries are narrow,
four-sided or round, with a structure made of wood and covered with
cob, and generally a thatch roof or a terrace roof (see pictures).
Shutters primarily protect the contents of the granaries by their
symbolic presence. The crocodile (or caiman) is one of totemic
animals of the Dogon. One as well finds it represented on shutters,
as on attic posts, doors, or door locks. Sculpted by the blacksmith
of the village for the hogon (spiritual chief) and notables,
shutters are one of the major elements of Dogon art. Furrowed surface
is the sign of a very great antiquity (probably between 16th and the 18th century).
If you want to know more about this object or send us your remarks,
click here. Please notify us with this object id: 4282.
Origin :
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Mali (Banani village, Bandiagara cliffs)
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Type :
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Architectural components
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Ethnic group :
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Dogon
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Material :
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Densely brownish wood, furrowed and crusty patina
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Size :
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W = 6.4 inches; H = 11.8 inches
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